Friday, June 1, 2012

Links, June 1





Where in the World? Google Earth Puzzle Series, Alan Taylor, via Atlantic Monthly





Bureaucracy, Ben Kafka, West 86th, via A&L Daily

"Reformists were wrong to believe that the state could be turned to any other purpose; the anarchists were even more wrong to believe that it could simply be abolished. The state was not the problem, capitalism was. A revolution in the mode of production would render the state obsolete." -Kafka on Engels

An informative "genealogy" of the 19th century aspirational notion of bureaucracy, no longer associated with progress, with a mild re-evaluation of Comte's role in the genesis of the idea of bureaucracy as a cure for the social consequences of industrialization, contra the dismissal of Comte by Marx & Engels.

Envy, or the Last Infirmity, LA Review of Books, Sven Birkerts, via A&L Daily
"I cannot judge in all this writing business how much that is of any real value comes from discipline and craft, and how much from luck, or from some happy convergence of impulse and inspiration. Whether it's nature or nurture, whether we are the vessels or vassals of something that is out of our control — I don't know. I only know that on those occasions when I feel it happening, that sense of separate parts of myself coming together, I have an illusion of timelessness."



William Styron, The Art of Fiction #5, Paris Review, 1954
Styron's Choice, Andrew O'Hagan, NYRB, 9/29/2011
I've been reading Styron a bit lately, and these two pieces are great entry points.

How Texas Inflicts Bad Textbooks On Us, Gail Collins, NYRB
Pretty late entry on the Texas front of the Culture Wars as a teaser of Collins's latest book.

Wednesday, May 30, 2012

May 30, Sound Opinions with Sharon Van Etten

I have 5-10 Sound Opinions episodes queued up in my podcast library and decided to knock a few out this week as I drive around town.


On May 4 the program interviewed Sharon Van Etten, no doubt still doing some publicity for her February 2012 released third album, Tramp.


Her new songs are great, the interview is ok, but the greatest thing about this episode are her four studio performances.


Podcast of the Sound Opinions show, including music news, interview, reviews, etc.


Sound Opinion's videos of Sharon Van Etten in the studio.

Tuesday, May 1, 2012

Annual Believer Reader Survey

The Believer has an annual reader's survey of the year's best fiction.  Every year I make an honest attempt at using this as something of a road map to catch up on whatever novels I might have overlooked or not had the time to read.  I don't consider myself that obsessive about keeping up with contemporary literature, but I do try to keep in-step by reading the major prize winners and latest novels by established "greats."  This list has a couple of those, as usual, such as Jeffrey Eugenides, David Foster Wallace, Ann Patchett, etc, but is surprisingly good on young and new writers, especially first novelists.  The list isn't full of men and women on their 20th or 30th novels like Phillip Roth, Margaret Atwood, or with the bright-not-so-young-British-writers such as Martin Amis, Nick Horby, or Ian McEwan.  Now, don't get me wrong, I like those writers, and they have all been on recent best of/annual lists, perhaps even recent Believer lists, but it appears that they held spots down last year, and we will have to wait for their next novels, or such as McEwan, the best of 2012 list next year.


Of the 20 volumes below, I have Harbach, Wallace, and Eugenides on my short to-do list already, and considering DFW and Russell's inclusion on the Pulitzer Prize's short list, I suppose Russell's novel should be too.  I recall only pleasant feelings if not actual details about her short story collection a few years back.  I know Whitehead, Patchett, and Smith from past novels, but haven't been that enthusiastic about keeping up with them.  Nigerian Teju Cole's short stories in Tin House and the New Yorker are quite good and I suppose, if anything else on this list, his novel should also be on that short list.  

There are, surprisingly, 10-12 authors here that I simply do not know.  Either I am extraordinarily out of touch this year, which is likely considering how immersed I have been in work, or their novels haven't been preceded by earlier novels or more frequently, the early chapters or short stories in top tier magazines.  Just a quick check, and it is surprising that not one author appeared in the 2011 BASS; of course, many of these novelists don't toil in the short story realm, and vice versa, and yet there is usually more overlap than none.


I would really like to hear from reader's out there who strongly agree/disagree with this year's Believer list, or have suggestions beyond these.  


Obvious disclaimer:  These lists are idiosyncratic and cannot possibly rank the "best" of the year's writers.  That is only something you or I can sort out according to our own taste, which is why I follow authors I have a personal connection with, past and recent prize winners, the distillation of the year's best novels and stories in lists like this, or year end lists by the NYT, or BASS, etc., etc.
  1. The Art of Fielding—Chad Harbach
  2. Swamplandia!—Karen Russell
  3. The Sisters Brothers—Patrick deWitt
  4. The Pale King—David Foster Wallace
  5. Stone Arabia—Dana Spiotta
  6. The Devil All the Time—Donald Ray Pollock
  7. Ten Thousand Saints—Eleanor Henderson
  8. Leaving the Atocha Station—Ben Lerner
  9. We the Animals—Justin Torres
  10. The Marriage Plot—Jeffrey Eugenides
  11. Busy Monsters—William Giraldi
  12. Lightning Rods—Helen DeWitt
  13. Open City—Teju Cole
  14. There But For The—Ali Smith
  15. Zone One—Colson Whitehead
  16. Zazen—Vanessa Veselka
  17. The Call—Yannick Murphy
  18. Habibi—Craig Thompson
  19. State of Wonder—Ann Patchett
  20. The Family Fang—Kevin Wilson
See the larger Believer Reader survey of fiction, poetry, etc here, along with the Editor's book awards. 
http://believermag.com/issues/201205/?read=reader_survey

Monday, March 26, 2012

Pilgrimmage: Sam Houston Homesite, Independence, Texas



This past Spring Break I drove through Independence and Washington-on-the-Brazos on my way to Austin.  While serving in the US Senate, Sam Houston and his wife made a home here in Independence, close to her mother and the old Baylor University site.  The ruin of a springhouse remains on a nearby piece of land that the Houston's lived on before moving into this home in 1853, but that earlier home was torn down in the 1890s.  After elected Governor of Texas, the Houston's relocated to Austin and this home subsequently changed hands and remains privately owned today.  No tours, preservation efforts, refurbishments, or anything of that nature have been undertaken for this home and sadly, the back is draped in a large blue tarp while the grounds full of garbage worthy of an episode of Hoarders.   For home tours, an earlier, and much more modest, log house-style home that the Houston's lived in during the 1840s and the later "steamboat" style home where he died in the 1860s are both open for visitors and located in Huntsville. 




People making the regular run between Houston and Austin on 290 really ought to bookmark the Independence, Texas tourism site and spend an hour or two driving past these sites.  http://www.independencetx.com/HistoricSites.htm

Saturday, January 7, 2012

AHA 126th Annual Meeting: Chicago, Day Two


Friday, January 6, 2012
The first session of Saturday morning included a panel on Southern kinship during the Early Republic, chaired by Lorri Glover.  The papers all examined family networks as central features in the development of Native American relations with the emerging U.S. government in the immediate post-Revolutionary moment, as a central force in the lives of the generation of antebellum men of an understudy generation who came of age in the 1830s and 1840s, and as the foundation transcended by German immigrant iron masters as their ethnic network slowly subsided beneath a craft/trade and ultimately business elite network in the longer 19th century.
Washington Library, Chicago

Natalie Inman, Cumberland University, argued that the nature of family networks in diverse tribes on the edge of an expanding U.S. created the social rifts and factionalism in tribes which then impacted negotiations between tribes and the British, Spanish, and U.S. treaty makers.  Her examination of several families within a half dozen tribes throughout the 1780s to early 1800s is fairly convincing that the historic attention on individual actors or, conversely, impersonal and large social forces, needs to more actively consider the role of networks and factions of communities.
Donelson, Hermitage

Mark Cheatham, also of Cumberland University, scrutinized words of mentorship and fatherly advice from Andrew Jackson to three of his prominent wards: Andrew Jackson, Jr., Andrew  Jackson Donelson, and Andrew Jackson Hutchings- all three namesaked nephews who joined Jackson’s household as adopted sons in the 1820s and 1830s.  For Cheatham, the relationships exemplify a range of responses by young men in the 1830s and 1840s to the general proscriptive advice that President Jackson imparted to them in his attempts to mold their morals, careers, and family formations.  Needless to say, Jackson could be a difficult patriarch and the three boys at different moments intriguingly displayed a range from noncompliance to deference.
Vulcan, Patron God of Alabama Iron

Ken Wheeler, Reinhardt University, presented a paper co-authored with Richard Wright, on the early transmission of iron mastery from the Chesapeake, down the Appalachian Mountains, through the Carolinas, Georgia during the early southern gold rush, and ultimately into Alabama.  Originating among German immigrants of the 17th and 18th century, Wheeler and Wright focus on the Stroup father and son who established iron works in the early national period, routinely building, developing, selling and relocating further south then west, acquiring investors and partners along their way.  The initial German ethnic communities established the Stroups early until local commercial and political elites of the antebellum South joined and patronized the iron masters, recognizing the possibility of a modernizing South that, as Wheeler noted, could transcend cotton.  Ultimately, one of the last of the enterprises of the son and his partners laid the foundations for industrialization in Birmingham, Alabama, bringing the panel to the cusp of the 20th century with implications for post-Civil War economic readjustment and the emergence, in Alabama, of a New South economy based on manufacturing, mining, and rail.
Hull House

After the panel I made a quick trip over to the UIC campus which maintains the home and a dining hall of the Hull House settlement home established by Chicago’s progressive and feminist reformer, Jane Addams and others.  The home is preserved, although much of the building was restored from the foundation up after the school acquired the property in the 1960s.  Original furniture, possessions, portraits, and a thoughtful teaching program aimed at intelligent visitors and secondary school students compete with exhibitions and activities aimed at younger children.  The feminist values of engaging work, suffrage, and community as well as Addams’ interests in racial justice, pacifism, anti-imperialism, and socialism are thankfully given respectful attention.  Although there is plenty to debate about the efforts by Progressives to ameliorate the dislocation in the lives of immigrants through cultural training and programs, Addams and Hull House remain a model for striving to make the lives of everyday men and women better.
Art Institute of Chicago

Following my tour of the small remnants of Hull House, a once much larger complex of several buildings, I visited the Art Institute of Chicago, the 2nd largest art museum in the United States, presumably after the Met in NYC.  I had little time for a tour of the entire museum, and bypassed everything except the two galleries of American art where I wished to see Edward Hopper’s Nighthawks.  It was expectedly haunting and magnificent, as affecting and loneliness-instilling as expected. 

Edward Hopper, Nighthawks, 1942


After directly viewing the Hopper painting, I stepped through the rooms and halls of the first floor, holding American art up to 1900.  An orderly and chronologic procession of rooms, counterclockwise around a gallery of marble statutes displayed at eye-level placement the portraiture and landscapes from colonial America to late 19th century, with furniture and material objects along the baseboards in a standard museum practice which, disappointingly, the Institute chose not to disrupt.  Nothing in display showed the same creative eccentricity that one would see in a gallery such as the Isabella Stewart Gardner in Boston, and the sculpture garden came no where close to the impressive antiquities room or statue garden of the Met.  Nonetheless, the early American art collection does include some excellent individual works including works by Peale, Homer, Whistler, Powers, and many others. 

Storrs, Winged Horse, 1920


The second floor of American art, from 1900 to 1950, holds the Hopper painting, several excellent portraits by Sargent, the iconic Grant Wood’s American Gothic, some fabulous American surrealists, Sullivan/Wright/Tiffany glass, tile, and furniture of the Prairie School, and a large collection of painters associated with the coterie of artists around Alfred Stieglitz and Georgia O’Keefe.

Sargent, Nude, 1891


Friday, January 6, 2012

AHA 126th Annual Meeting: Chicago, Day One

Thursday, January 5, 2012 

After a pleasant enough flight from Houston to Chicago I arrived at O’Hare in the AM, took Chicago’s El trains to the Magnificent Mile shopping district just north of the Chicago River and checked in to my hotel.  Everything was smooth, no major commute or registration hassles.   
After registering at the conference I strolled up Michigan Avenue to the Newberry Library, one of the most extensive independent research institutions in the nation.  This privately funded archive and library is open to the public for scholarly and genealogic research.  I spent two hours with the library catalog and read a few documents from the 1820s to 1840s that are related to my own research on antebellum Kentucky.  I expected the Library would be overcrowded because of the AHA Meeting, but the reading rooms were very comfortable and the staff were pleasant and quick to pull the manuscripts for me.  (Thanks especially to Lisa and Meagan)

The first panel that I attended of the weekend, hosted by the Newberry, focused on Native American experiences in the War of 1812.  This anniversary year will see a series of events commemorating and critically rethinking the conflict and the city of Chicago is a particularly great place for that endeavor considering its role in the war.  The AHA is global in focus, so there do not appear to be many more 1812 panels this weekend, although I expect my summer trip to Baltimore for a 19th century meeting to give much more attention to the War.

The panel, Perspectives on the War of 1812 from the Collections of the Newberry Library highlighted the scholarship derived from sources collected by the Library.  Susan Sleeper-Smith spoke about the role of women in the wars and treaties of the Old Northwest and Illinois leading up to 1812.  Gregory Dowd’s presentation noted and gently chastised modern scholars for taking for granted racialized, antebellum associations of southern Indians and cosmological superstition.  According to a small number of 19th century southern commentators, Tecumseh’s pan-Indian missionary efforts to the Creeks depended upon “paranormal” associations that Creeks made with the presence of a rare comet in 1811 and subsequent earthquakes.  Dowd’ asserts that the sources, sequence of events, and racially dismissive if not patronizing accounts by southern whites make it unsatisfactory at best, wrong at worst, to attribute Creek militancy to meteorological events.  Scott Manning Stevens, a Mohawk scholar from a reservation divided between the US and Canada, on the New York/Ontario/Quebec boundaries, discussed the very present legacy of the border and reservation for the Iroquois people.  The other two panelists provided useful and enlightening commentary on early map making in the Chicago area of the 1790s to the 1810s using maps and atlases held in the Newberry Library.

Thursday, December 15, 2011

Hitchens, Farewell


                Hitchens died today of esophageal cancer, receiving treatment at the M.D. Anderson clinic here in Houston- a fact I became aware of when he accepted an award for the promotion of atheism at a convention for like minded anti-clerical intellects and citizens hosted here in Houston.  I suspect that the convention came here rather than expect he come to them in his exhausted and pained last months.  Just this past week Vanity Fair has run another of a series of self reflections about life and its passing, something that Hitch has been doing since he canceled the book tour for his 2010 memoir last summer.
                His latest volume out this past September by Twelve Books is his fifth collection of essays and contains musings political, literary, and personal published in various outlets from the past seven or eight years since the publication of Love, Poverty and War, a collection I picked up and read when living in NYC sometime in 2003-2005.  Then he was fresh from the battles over his resignation at The Nation over support of Bush’s intervention in Iraq.  His A Long, Short War elaborated in more detail his rationale for supporting regime change and preemptive war, but it did him no favors among the left for such ardent enthusiasm for the bullying behavior by the Bush administration and the neo-con adventurers such as Cheney, Wolfowitz, Feith and others.
                Because I try to follow Hitchens, and have since the late 1990s, I read the vast majority of these pieces in Slate or The Atlantic, where he offered a weekly political column and literary reviews, respectively.  The material here that I have possibly overlooked appeared in British papers, Vanity Fair (where he covered American mores and politics, not unlike the Slate columns), or as prefaces to new editions of literature, usually English or “imperial” such as Rebecca West, George Orwell, or Graham Greene.  His reviews take a broad approach to American and British political figures, from Jefferson, Lincoln, Kennedy, and Paine to Samuel Johnson, the Mitfords, and Tony Blair or offer literary reassessments of Twain, Lewis, and Updike, as well as reviews of contemporary Brits of his own social circle such as Martin Amis, James Fenton, Salman Rushdie, and Ian McEwan.  Impressively, his range for skewering politicians, arguing to the finish, and upholding and championing creative, artistic values among truly incredible literary men leaves me humbled.  His incredible possession of vast, encyclopedic knowledge of literature, history, and contemporary events is the evidence of a man with an illimitable capacity for synthesizing a vast amount of reading.  Indeed, my own two hours minimum, or one hundred pages minimum, daily reading course is a direct attempt to keep up with this man.
                I began reading Hitchens at just the right moment- it was late in the 1990s as a punk rocker, aspiring political engagé, and at the start of a course of what has now become almost fifteen years of academic training in history.  I recall that I became aware of his writing first in the Lewinsky/impeachment scandal of 1998 when he was, from the left, skewering Bill Clinton for triangulating with the triumphant GOP for a third-way set of compromises that abandoned any commitment to sustaining or, more, enlarging the vast but crumbling New Deal era social safety nets.  These reforms began under Reagan and, in Hitchens' Britain, Thatcher, of course, but in the 1990s as America’s economy underwent a powerful expansion the American right pushed the Democrats into an acceptance of deregulation and triumphant capitalism.  Clinton, elected with a mere plurality in 1992 and obstructed by a shift in control of the House in 1994, tacked to the winds and alienated staunch leftists like Hitchens, who’s column in The Nation regularly espoused anticlerical, antifascist, and socialist diatribes crafted with a British accent from a stalwart of the 1960s student movement/New Left movement.  Hitchens was on fire in the late 90s as Clinton embarrassed and disappointed liberals, and yet I do not believe I began reading The Nation until the early stages of the 2000 election and the Nader campaign, perhaps late in 1999.  What I do recall, and my notes inform me I did not read until 2002, is the 1999 publication of No One Left to Lie To, a no holds barred attack on Clinton and moderation within the New Democrats, and by extension Britain’s New Labour.
                Although I may not have read that volume until 2002, at least according to my note in my elegant, blue British Verso edition, I do believe I once, earlier, owned a pink paperback, likely from the US press, and perhaps read it as early as 2000, and it is very likely 2002 was my second or even third time through that volume.  Maybe Salima and I excluded it upon the merging of our libraries, but nonetheless, whether I read the Clinton volume in 2000 or 2002 is immaterial, because in 2000 Hitchens, largely known to me from his Nation column was beating the drum for an international trial of Henry Kissinger on various war crimes or human rights violations with regard to his role in the assassination of Allende in Chile and the invasions of Laos and Cambodia, all during his tenure of service to Richard Nixon.  A short documentary agitated these points, Hitchens toured in support of it, but I did miss both, the tour and appearances as well as the 2001 book.  It was brief, I understood the arguments and was in “the choir” so to speak, and after I quit working at the bookstore in 2002 I had little time or money for the volume.  Nevertheless I followed the columns in The Nation until 2003 when the war began and I was living in NYC.


                In 2003 Hitchens and other columnists of The Nation whom I had admired for several years such as Eric Alterman, Katha Pollitt, Alexander Cockburn, and others debated the run up and sales pitch to the Iraq invasion.  Although an outspoken atheist and socialist, Hitchens- after several visits to Iraq and Kurdistan- argued vociferously that anti-fascism, humanitarian intervention, and opposition to Islamic fundamentalism demanded a leftist-motivated intervention in Iraq.  Of course humanitiarian internationalism and intervention were normative responses on the political left before Bush disparaged "nation building" in his 2000 debate with Gore, and worse, made nation building impossible to support after the invasion of Iraq.  The calls for action by Clinton and others during the Rwanda civil war or the actual interventions in Yugoslavia in the 1990s were precedents for Hitchens' support of an international coalition to remove Hussein, and Hitchens alienated so many by siding with Bush even when the rest of the world would not.  He of course was attacked as a turn coat, as a stooge for the GOP, as monstrous in support of imperial violence by the USA in a leftist movement dominated by antiwar pacifism and anti-American cosmopolitanism.  Not wilting before an argument, Hitchens stubbornly, logically, and consistently found himself debating the antiwar movement, criticizing any tolerance of inhumane regimes on the grounds of pacifism or anti-imperialism.  He became increasingly alienated from the left for his commitment to aggressive anti-fascism and from the right by his anti-capitalism and atheism.  Not surprisingly, the political powers such as Wolfowitz and Bush put him to work, making more of a fool and tool of him than he wished to admit or may even have ever recognized, willing to overlook his radical politics and atheism in favor of highlighting him as part of a broad spectrum political consensus behind the invasion and/or as an example of a left wing culture warrior coming in from the dark.  Or maybe he was working them. 
     Either way, Hitchens looked remarkably foolish as he continued to defend his principles in the face of growing recognition that even if the war’s necessity could be defended (and debatable at that) but that the actual waging of the war and “winning the peace” were grossly, incompetently handled by Bush, Cheney, Rumsfield and others.  And now Hitchens began to triangulate himself, making clear that support for the invasion on anti-totalitarian principles and distress at its implementation by the Bush "wrecking crew" were both plausible beliefs within his own rationale, and that critics who dared tell Hitchens “I told you so” were worse, because not only were they wrong on principles, they were using suffering in Iraq to score points in yet another leftist schism so familiar to Hitchens from his days in the British leftist student movement.  Nonetheless, Hitchens expanded his columns into A Long, Short War, published in 2003, but not read by me until much later in 2006, because like the Kissinger book, I already felt like I knew what was between these covers; I was right.  For anyone who reads the periodicals, his collections can often be full of late, no longer topical, bullying essays on politics, but the writings on history, secular faith, culture and literature are wonderful to have between covers.  Hitchens reminds us that the slogan of the international left in the 1930s, whether in Spain, Italy or the Third Reich, was Fascism Means War, and like Orwell and Hemingway, meaningful resistance to evil required the occasional resort to arms.  Only to sad that the war against Saddam began on premises entirely different than those that I hope Hitchens and other like minded travelers of the Internationalé would never have shared.
                In 2005, however, distracted by work and frustrated with the Bush administration, I did pick up his fourth collection from 2004, a wider ranging volume that included literary essays.  Unknown to me, I found that he was breathlessly erudite and opinionated about yet another subject that I cared deeply about.  I devoured the volume and began looking for more while he continued to oblige with a series of short books.  In the spring of 2007 I read his contribution to Basic Books’ The Art of Mentoring series, Letters to a Young Contrarian (2001) and his third collection Unacknowledged Legislation (2000).  In summer 2009 I read Why Orwell Matters (2002), and in summer 2010, Thomas Jefferson (2005) and Thomas Paine’s Rights of Man (2006).  At some point in the second Bush administration Hitchens began writing about atheism, publishing a manifesto and a collection of edited essays on the topic, that again, like so much of his work, impressed me in the boldness and catapulted him to increased celebrity, but did not appeal to me as a reader, already confirmed in nonbelief.  I expect to read the books at some point, but there is no pressing, topical need that compels me other than respect and appreciation of his prose.  For some, this willingness to go on the vicious attack against fundamentalism in the American political scene, particularly against the Vatican and protestant evangelical political operatives was a return to form for his supporters like me on the left, but for the right it was indefensible and ungrateful after the shelter extended to him during his alienation from The Nation.  True to form Hitchens shrugged and remained an independent intellect in the entire manner I intend without sarcasm, disparagement, etc, I truly admire this man not just for his reading and productivity but for his stiff spine and self reliance.  Truly inspiring.
That same spring Hitchens released his memoir, Hitch-22, and although I did not read it until October 2011, I anticipated his July visit to Brazos Bookstore in Houston, finally a chance to meet the author.   Unfortunately, his cancer diagnosis and treatment kept him from keeping the tour, and I neglected to read the volume until much later.  After the September publication of this, perhaps his final collection, I realized that I might profit by reading the memoir and then this volume together.  I was reminded again of why I admire the man, even if the contents were almost entirely familiar.  Luckily for me there are earlier books (Elgin Marbles, Missionary Position, For the Sake of Argument, among others) and undoubtedly Slate and Vanity Fair will host his past columns, not to mention the volumes of posthumous essays that will undoubtedly appear.  I only wish I could have summoned the courage to visit him in the hospital here in Houston before he was gone.
RIP.

Friday, November 11, 2011

Links, November 11


Two week's ago I linked to a series of posts about the recent biography of film critic, Pauline Kael.  Subsequently, Evan Hughes briefly recounts the source of competition and envy between Kael, Susan Sontag, and Joan Didion.  Although my respect for Kael remains undiminished, I have to give it to Didion here for sheer elegance alone.  Hughes' "The Cordial Enmity" on The Awl.



Who doesn't love a literary feud? Jonathen Lethem on getting reviews in the Times by James Wood.  "My Disappointment Critic" in the LA Times Review of Books 

Houston's Cinema Arts Society Festival is halfway through, but Houston-borne director Richard Linklater (Slackers, Dazed and Confused, Before Sunrise) will appear on Sunday with longtime Austin-borne collaborator Ethan Hawke, receiving this year's festival award.  A number of other interesting international and independent films will appear at several venues this weekend.  Houston Cinema Arts Society.

I posted back five months ago about Slate critic Stephen Metcalf's revisiting of Novak's libertarian arguments, and it seems that the 70+ year vindication of Keynes cannot be acknowledged by the anti-state, libertarian, anarchist, and simply anti-Obama crowd.  This squib of a review of a surely more interesting debate is just another sign of the persistence of economic irrationality by the right.  As Italy and Greece buckle under austerity pressures, things seem likely to get far worse, even here.  Felix Salmon's "Keynes Trumps Hayek in Asia Society Debate" from the Daily Beast.


I believe continuing notice of the popular and academic hand-wringing over the worth of a university education, not to mention the flaws in the American model of higher education, are worth the attention of my peers and former students.  Here Anthony Grafton reviews a spate of diverse books with different axes to grind with regard to university administration and evaluating worth in higher ed.  Grafton's "Our Universities: Why Are They Failing?" in the NYRB.



Friday, October 28, 2011

Links, October 28


This is a long overdue take-down of Niall Ferguson, easily one of the worst, neocon, pseudo-racist imperialists getting a soft pass in the wider popular media.  
Watch This Man from the London Review of Books, Pankaj Mishra, Nov 3, 2011.




Uh-oh.  Only 43% of SAT takers deemed college ready, and scores steadily falling.  A pretty alarming place to begin thinking about education, race, testing, college readiness, etc.
Falling SAT Scores, Widening Achievement Gap from The Atlantic, Brian Resnick, Sep 16, 2011


Pauline Kael's writing about films is always a revelation.  The five or six fat paperback volumes I have from her reviews, say from 1968 to 1984, are easily the best film reviews (next to Agee) that one can imagine.  A new biography is getting a lot of deserved attention, but really, just go back to Kael's own collections, starting with I Lost It at the Movies or perhaps the new Library of America collection.
New Yorker's Nathan Heller review of the LOA collection and Kellow's Kael bio.
Slate's film critic Dana Stevens' review of the Kellow bio.
Library of America's collection.




I have boundless admiration for Tony Judt, especially his unmatched Postwar and the lucid memoirs from the New York Review of Books that he penned just before his death.  Nonetheless, his earlier books on French intellectuals, his opus on modern Europe, and his strident opinions about Israel-Palestine, modern academia, and contemporary culture wars are all justly open to dispute.  A thoughtful critique has appeared in the most recent New Left Review.
Dylan Riley's Tony Judt: A Cooler Look


Katie Roiphe's most recent columns have been little more than solipsistic engagements with her critics such as Gawker or Ayelet Waldman, but I still think she is worth keeping an eye on.  Her first dust-up now almost twenty years ago escaped my notice at the time (let's face it, I wasn't paying attention to these things in 1993 when I was in high school) when she angered the feminist left over skepticism on the epidemic of college date rape.  I think a lot of casual and uninformed participants in that pillorying of Roiphe never took the time to actually think about her argument, but nonetheless she has turned into a singular voice of praise, most surprisingly from the feminist wing of literary criticism, that gives voice to a lot of ideas and sentiments I too share about the state of male fiction writing today.  I don't always agree with her, but her strength in the face of relentless hostility by fellow feminists is admirable.  Anyone looking for more from Roiphe should go straight to her collective biography on unconventional marriages and her Slate book club podcasts from 2-4 years ago.  
Roiphe on Gawker, Slate, Oct 27, 2011

Friday, September 16, 2011

Links, September 16

Last week I was happy about that new collection of Macdonald essays, now it's the edited journals of the brilliant postwar literary and cultural critic, Kazin. 
William Deresiewicz's Slate review essay

A new paean by David Reynold's to Uncle Tom's Cabin is reviewed by Pulitzer Prize winning Harvard Civil War-era historian Drew Gilpin Faust.  Faust's studies of planter class ideology are pretty crucial to my own work, and her recent prize-winning study of the Civil War and grief is phenomenal.  Although I agree with Reynolds that Uncle Tom's Cabin is both wonderful and unacceptably shrugged off by students of American literature now, I have been consistently underwhelmed by his own writings about the 19th century.  His bio of Whitman is great, his broader study of the subversive elements in the American Renaissance writers of the antebellum era is fine, but since then he turned away from his field of literary studies to engage in writing a biography of antislavery radical John Brown, a clumsy and derivative cultural history of the Jacksonian era, and now this volume on Stowe, perhaps a hopeful return to his literary training.  Faust is kinder in the review than she probably ought to be, taking the time to think more about Stowe's novel than Reynold's assessment, but that is likely to all of our benefit.  If you have time to read 300+ pages, you should spend it with Stowe and not Reynolds, and if you would like some thoughtful assessment of Stowe then maybe start here but quickly look elsewhere. 
Faust's The New Republic review essay of Reynolds' Mightier than the Sword

A small batch of letters from Hemingway's Cuban home have surfaced.
Vanity Fair slideshow of Hemingway letters

Nirvana's Nevermind is 20 and I cannot escape the nostalgic assessments in cultural media anymore than you, probably, but thinking about Jon Stewart hosting this retrospective almost makes me want to get satellite radio, or sit in someone's car who has it.
Dave Itzkoff's NYTimes ArtsBeat post

Secularism, anti-fascism, international socialism, anti-pacifism.  Finally, a fifth and possibly final, essay collection arrives from the terminally ill Christopher Hitchens.  Love him, hate him, agree, disagree- whatever, his work is so erudite, brave, and prolific that I have had a tremendous admiration for him since he hammered Clinton from the left in the late 90s, drawing me to his and other fellow columnists in The Nation just before his break with that magazine over W's policies.  If you have not read his memoir from last summer, then jump right into this essay collection, reviewed in the Times this week.  For a quicker intro, hit that podcast interview and listen to the conversation between Sam Tannenhaus and Bill Keller, the reviewer.  Also, worth revisiting is the 2006 New Yorker profile.
Keller's NYTimes review of Hitchens' Arguably
Ian Parker's New Yorker profile